Creating a writing timeline

Today is one of those rare days where I have finished work early. The winter sky is still bright but gloomy, there’s a cup of hot drink in my hand and I have about 6 hours left of the day.

I’ve decided to draw up a schedule for the second draft of my book. I know that when I have no pressure and deadline for a project, I could work on it for hours and hours without progressing anywhere.

When I wrote the first draft for this soon-to-be book, I was able to finish it in eight weeks, because I told myself I was going to enter it into a writing competition, which I did.

Now that I have no looming deadline in place, my writing has slowed down. There is less of a frantic rush towards the finish line and when it comes to contemplating whether to watch TV or write, TV always wins.

I got a little kick in the butt over the weekend for my complacency when I realised that someone important to me didn’t believe that I could finish writing a book. It brought me back to those old days when I was called out for being naive and dumb for no particular reason. Not a pleasant feeling.

Anyway, I don’t like dwelling over unproductive thoughts like those, so the only thing I can do is put my head down and keep at it.

What I’ve learnt from writing the first draft is it’s important to map out the key stages in the writing process and set a deadline for each stage. That way I know what I am working towards and can see if I am making any progress.

Here is a rough outline of my writing schedule for the second draft of my soon-to-be book.

Writing timeline for second draft (Rough draft)

  • Complete rewritten outline: July 15
  • Complete ending: July 30
  • Complete events leading up to ending: August 15
  • Complete climax: August 30
  • Complete hook: September 15

Within each of these stages, there are roughly 3 chapters that I need to rewrite, (so twelve chapters in total). I’m currently plotting them out in a calendar, so will have that ready by tomorrow.

Letters to grandpa

Dear Grandpa,

You clasped your hands like an old buddha, fingers intertwined together. You did that out of habit, even when you lay there unconscious on the hospital bed. We’d unclasp them and watch you clasp them back together. That small action told us you were still there.

The caretaker told us a funny story. Even though you had forgotten who most people were, you knew what 300×450 was. You’d work that out on the back of the pillow, your fingers drawing out long, imaginary strokes.

You were so excited that we had arrived, your breathing became too frantic and I had to stroke your chest, the lest I could do to soothe the pain.

There were so many questions that I wanted to ask you. Like how did you find your way out of your village and into the big city? You were just a small boy then, and the roads were unpaved, but you took that journey all by yourself.

It is comforting to know that you did things like that. If you can do it, then I can do it too. After all, we are related, I just haven’t found my stride like you did.

Had I known earlier about your feats, before your memory faded away, I would’ve asked you over and over how you did it, until your memory became mine.

I know you forgot about a lot of things. Dad filled me in on your condition over the years. But when I leaned over your white hospital sheet, and shouted my name into your deaf ear, I saw you nod and shed a tear behind those closed eyelids.

Because as forgetful as you are, that gentle nod told me that no illness can make the heart forget.

So grandpa, even though you are not there to answer my question: how did you find your way into the big city, when you were just a little boy?

When I leaned over and saw your teardrop, you gave me your answer.

The heart always knows.

Written on the two year anniversary of my Grandpa’s passing.